20
/training-events/events.php

Calendar of Forthcoming Training Events

This calendar lists all known forthcoming training events in the audiovisual archiving field, all around the world. If you are the organizer of such a event, or know about one, please click on "Add a new training event" below and fill in the form. Please only add information you are sure about.

Calendar of Forthcoming Training Events

This calendar lists all known forthcoming training events in the audiovisual archiving field, all around the world. If you are the organizer of such a event, or know about one, please click on "Add a new training event" below and fill in the form. Please only add information you are sure about.

Date
Event
Location
28-30 August 2018
Level 1 Projection Workshop
Workshops offer speakers and hands-on tutorials for projectionists at different levels of experience working with 35mm film prints and will focus on film preparation and projection as well as special stipulations for archival projection, and coordinating with lending institutions.
28-30 August 2018
Level 1 Projection Workshop
Organized by: AMIA
Chicago
,

This Level One Workshop, hosted by the Chicago Film Society, University of Chicago Film Studies Center, Reva and David Logan Center for the Arts, and Music Box Theatre will focus on film preparation and archival projection as well as special stipulations for archival projection, and coordinating with lending institutions. First and foremost, the workshop will focus on avoiding film damage, and presenting film prints in the best possible manner. The workshop is aimed at those who have some 35mm projection experience and are looking to expand their knowledge and skills.

10-21 September 2018
Restaurer des images avec le logiciel Diamant - niveau 1
Diamant-Film est devenu un logiciel incontournable pour la restauration numérique des images. Cette formation vous permettra en 10 jours de le découvrir et de vous exercer à ses principales fonctionnalités. Vous pourrez acquérir les bons réflexes, et mettre en œuvre des méthodes de travail adaptées aux différents types de restauration.
Bry-sur-Marne
,
France
10-21 September 2018
Restaurer des images avec le logiciel Diamant - niveau 1
Institut National de l'Audiovisuel - France
,
Bry-sur-Marne
,
France
21 September 2018 - 28 September 2019
EQZE | Film Preservation Studies
The Film Preservation Studies focuses on the theoretical and practical training in the identification, classification, restoration and preservation of our cinematic and audio-visual heritage
Registration Deadline: 31 May 2018
Donostia / San Sebastián
,
Spain
21 September 2018 - 28 September 2019
EQZE | Film Preservation Studies
Organized by: Elías Querejeta Zine Eskola | Basque Film Archive | San Sebastian International Film Festival | Tabakalera
Tabakalera - International Centre for Contemporary Culture
,
Donostia / San Sebastián
,
Spain
Contact:   info@zine-eskola.eus 

EQZE | THE SCHOOL OF THE THREE TENSES OF CINEMA


Elías Querejeta Zine Eskola is an international centre for thinking, research, experimental practice and pedagogical innovation based around the past, present and future of cinema.


Created and financed by Provincial Council of Gipuzkoa, Elías Querejeta Zine Eskola is opening in 2017 with a passionately regenerative spirit: its ultimate purpose is not to train technical staff by following traditional standardised training models, but to encourage the emergence of filmmakers with a comprehensive vision of cinema who are able to produce new (working, conceptual, creative, professional) realities on film.

EQZE is taking shape based on the fields of knowledge of the three agents that are taking part in its conceptualisation: the Basque Film Archive, San Sebastián International Film Festival and the Tabakalera cultural project. It is based in Tabakalera International Centre for Contemporary Culture where these institutions are also located.


The institutions involved in the development of the School are not teaching institutions but film institutions. This is why the School that they are promoting is also basically a film project: an idea of cinema that is taking shape as an educational project. This is the reason why the EQZE does not have a range of training programmes, but a single educational project made up of three postgraduate programmes.


EQZE | FILM PRESERVATION STUDIES


The course poses the (theoretical, technical and ethical) dilemmas for students that cinema raises as a material and immaterial heritage. As well as tackling all those aspects related to identifying images and sounds on photochemical, magnetic and digital media, the speciality provides the tools
for managing existing collections and creating new ones. The course also provides access to protocols and procedures for revising and restoring materials, using both mechanical and digital tools, which offers genuine practical experience in the laboratory.


Film Preservation studies are carried out in constant interaction with the work at the Basque Film Archive, which provides students with a real-life experience with a film archive officially certified by the FIAF.


Info & Admissions: www.zine-eskola.eus/en

21 September 2018
Managing Photographs in the Archives
The course combines an introduction to the range of photographic techniques and the identification of the resulting photographic prints and negatives with the requirements for managing and preserving them as archival material.
York
,
UK
21 September 2018
Managing Photographs in the Archives
Organized by: The Archive-Skills Consultancy
The Borthwick Institute for Archives
,
York
,
UK

Managing Photographs in the Archives is a brand new course for 2018 which has been developed by Margaret Crockett and Janet Foster, Directors of the Archive-Skills Consultancy, in association with Jessamy Harvey. The course combines an introduction to the range of photographic techniques and the identification of the resulting photographic prints and negatives with the requirements for managing and preserving them as archival material. It begins with a facilitated discussion about photographs in the archives, the forms they take, their historical value and how they relate to other kinds of archives. Subsequent sessions cover the characteristrics of different photographic images and the processes which created them, the environmental conditions and packaging needed for preservation, copyright considerations, how to catalogue photographs and plan digitisation projects.


The course trainers will illustrate presentations with examples from case studies, sample photographs and packaging. The combination of presentations, facilitated discussion and exercises will ensure an interesting and relaxed learning environment. It is a participative development opportunity which also provides an occasion for networking with others in similar situations. It is suitable for a range of archive and records management staff, including those who are new to the area and those who wish to update their skills.

15-17 October 2018
Level 2 Intermediate Projection Workshop
The three-day intermediate workshop is intended for projectionists with a good understanding of the operation of a film projector.
15-17 October 2018
Level 2 Intermediate Projection Workshop
Organized by: AMIA, The Film Foundation, and Boston Light & Sound
Boston, MA
,
16 November 2018
Managing Photographs in the Archives
The course combines an introduction to the range of photographic techniques and the identification of the resulting photographic prints and negatives with the requirements for managing and preserving them as archival material.
London
,
UK
16 November 2018
Managing Photographs in the Archives
Organized by: The Archive-Skills Consultancy
London Mathematical Society, De Morgan House
,
London
,
UK

Managing Photographs in the Archives is a new course which has been developed by Margaret Crockett and Janet Foster, Directors of the Archive-Skills Consultancy, in association with Jessamy Harvey. The course combines an introduction to the range of photographic techniques and the identification of the resulting photographic prints and negatives with the requirements for managing and preserving them as archival material. It begins with a facilitated discussion about photographs in the archives, the forms they take, their historical value and how they relate to other kinds of archives. Subsequent sessions cover the characteristrics of different photographic images and the processes which created them, the environmental conditions and packaging needed for preservation, copyright considerations, how to catalogue photographs and plan digitisation projects.


The course trainers will illustrate presentations with examples from case studies, sample photographs and packaging. The combination of presentations, facilitated discussion and exercises will ensure an interesting and relaxed learning environment. It is a participative development opportunity which also provides an occasion for networking with others in similar situations. It is suitable for a range of archive and records management staff, including those who are new to the area and those who wish to update their skills.